May, 2014, Arad.
Set and costume design.
This is a brilliant play from Marius von Meyenburg. It's built on a series of stances in which the actors continuously change their identities pushing the plot into stranger and stranger territory. Theodor-Cristian Popescu wanted to do it very straight-forward, and he wanted a sit-com-like set that changes only by the power of light, and more than that, it turns into an almost cartoonish style at a certain moment. For the lights, I worked with Lucian Moga, which is always a great pleasure.